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	<title>Damek. &#187; technology</title>
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	<description>Adam, the universe, and things between, from the ground up.</description>
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		<title>Memory as Social Ideology</title>
		<link>http://damek.org/2009/11/05/memory-as-social-ideology/</link>
		<comments>http://damek.org/2009/11/05/memory-as-social-ideology/#comments</comments>
		<pubDate>Thu, 05 Nov 2009 17:54:44 +0000</pubDate>
		<dc:creator>Adam</dc:creator>
				<category><![CDATA[Misc.]]></category>
		<category><![CDATA[culture]]></category>
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		<guid isPermaLink="false">http://www.damek.org/?p=1270</guid>
		<description><![CDATA[I&#8217;ve been thinking a little bit lately about the way people tell stories &#8211; about themselves, about each other &#8211; to create a sense of identity and self-knowledge, to guide future actions, etc. I&#8217;ve been thinking about how these stories &#8230; <a class="more-link" href="http://damek.org/2009/11/05/memory-as-social-ideology/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>I&#8217;ve been thinking a little bit lately about the way people tell stories &#8211; about themselves, about each other &#8211; to create a sense of identity and self-knowledge, to guide future actions, etc. I&#8217;ve been thinking about how these stories are continually revised, updated, reverted, and changed.</p>
<p>So it was with interest that I came across this <a href="http://snarkmarket.com/2009/4004">post about the cultural memory of social morés</a>. It seems David Brooks wrote some column lamenting the loss of romanticism in the &#8220;twitter age&#8221; or some such nonsense. I&#8217;d caught glimpses of Ezra Klein criticizing him, but this seems the best observation to me:</p>
<blockquote><p>&#8230;there’s a rea­son why he called it the “Happy Days” era: the past he’s describ­ing isn’t really the past, but a 70s-era TV ver­sion of the past. Not even the past’s rep­re­sen­ta­tion of itself! For that, you’d have to see <em>On the Water­front</em> or read <em>On the Road</em> or <em>Giovanni’s Room</em>. It’s mem­ory as ide­ol­ogy, cre­ated (whether con­sciously or uncon­sciously) to sur­rep­ti­tiously win argu­ments about the present, espe­cially about social morés and gen­er­a­tional change.</p>
<p>And the Happy Days era &#8212; the real one, which was reflected in the TV show like a fun­house mir­ror &#8212; was dri­ven by tech­no­log­i­cal and social change, too! Kids had access to cars, tele­phones, TV, records and the radio, and dis­pos­able cash. Cruis­ing, malt shops, high school dances, drive-in movies, every­thing you see in <em>Amer­i­can Graf­fiti</em> &#8212; it might feel like part of the time­less social rit­ual now, but then, it was a rev­o­lu­tion, a set of truly rad­i­cal acts. Add the pill, civil rights, and a swelling in the ranks of col­lege stu­dents, and you’ve got fem­i­nism, counter-culture, the sex­ual rev­o­lu­tion. But in some ways, this was a post­script. The most impor­tant changes, the sub­ter­ranean ones, had all hap­pened already.</p></blockquote>
<p>As someone who has often had an attraction to various <em>depicted</em> eras in theater, books, film, and television, and as someone with a renewed interest in the study of culture in general, it&#8217;s a useful insight and reminder that the way societies dream about themselves rarely represents the reality &#8220;on the ground,&#8221; so to speak. And one of the hallmarks of society since the industrial age, or perhaps slightly before, has been somewhat constant social change, combatted by regressives and curmudgeonly types of all kinds.</p>
<p>Much like language, sexual behaviors and courtship will be what they will be. There&#8217;s no right or wrong way. Welcome to humanity, twitter &#038; facebook. Your time is likely short; you&#8217;d better enjoy it!</p>
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